Credo V Daniels’ Still Where We Were has become a flashpoint for South African music’s AI debate around vocals, authorship, performance and authenticity.
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Credo V Daniels’ Still Where We Were has forced South African music into a difficult conversation: what does “real” sound like when AI tools, vocal processing and human performance all sit inside the same creative chain?
Durban FilmMart’s 2026 SA in Focus programme is turning towards the systems behind South African cinema, putting AI, funding uncertainty, performer ownership, documentary, production sustainability and industry representation on the same table.
Bonang Matheba’s Cannes Lions appearance made “The Algorithm Doesn’t Know Your Culture” feel bigger than a panel title. It became a warning about AI, cultural nuance and the limits of data without lived context.
