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Entertainment
Durban FilmMart 2026 Is Asking South Africa’s Film Industry to Look Inward
Durban FilmMart’s 2026 SA in Focus programme is turning towards the systems behind South African cinema, putting AI, funding uncertainty, performer ownership, documentary, production sustainability and industry representation on the same table.
Music
South Africa Put Three Cleo Sol Songs in Its Apple Music Top 10 Almost Immediately. Why Does Quiet Soul Travel So Well Here?
One day after Cleo Sol released Gentlewoman, three of its songs were already inside Apple Music South Africa’s Top 10. The speed of that response says something interesting about this country’s appetite for music that does not need to shout to command attention.
Music
Fans Made the “Ibandla” Remix Inevitable
“Ibandla” was already a Top 3 Apple Music hit. Then Nasty C’s reinterpretation crossed one million YouTube views. When the official remix followed, it felt less like a manufactured extension than a version listeners had already asked to hear.
Music
Maskandi Just Beat the Algorithm: How “Lashona Ilanga” Became One of South Africa’s Biggest Songs
Four days after Inkos’Yamagcokama’s death, “Lashona Ilanga” arrived. Days later, the Limit Nala and Sne Ntuli collaboration was South Africa’s No.1 song on Spotify — showing what happens when streaming technology meets a music community that was already deeply invested.
Entertainment
Rogan Productions Chose Johannesburg for Its First Permanent International Base. That Says Something About South African Film
Rogan Productions is making Johannesburg the home of its first permanent international office. For South Africa’s screen industry, the important part is not a Joburg-versus-Cape Town argument — it is the shift from being somewhere international companies shoot to somewhere they choose to build.
Entertainment
A Self-Funded YouTube Film Is Heading to National TV. Chris Q. Radebe May Have Built a New Route Around the Gatekeepers
Chris Q. Radebe funded Shut Up! Men Are Talking himself and built its audience online before Movie Room came calling. Its move from YouTube to DStv suggests independent filmmakers may have another way to enter broadcaster negotiations: audience first.
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