Music coverage across the rollout
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From the Viranova artist directory, ranked by momentum. Browse every profile.
TheLastLetter’s “Jaded” turns the unsettling experience of loving someone whose personality changes with intoxication into intimate R&B, bringing Indigo Stella, Rashè and Wichi1080 into a deeply personal story.
Durban FilmMart’s 2026 SA in Focus programme is turning towards the systems behind South African cinema, putting AI, funding uncertainty, performer ownership, documentary, production sustainability and industry representation on the same table.
One day after Cleo Sol released Gentlewoman, three of its songs were already inside Apple Music South Africa’s Top 10. The speed of that response says something interesting about this country’s appetite for music that does not need to shout to command attention.
“Ibandla” was already a Top 3 Apple Music hit. Then Nasty C’s reinterpretation crossed one million YouTube views. When the official remix followed, it felt less like a manufactured extension than a version listeners had already asked to hear.
Four days after Inkos’Yamagcokama’s death, “Lashona Ilanga” arrived. Days later, the Limit Nala and Sne Ntuli collaboration was South Africa’s No.1 song on Spotify — showing what happens when streaming technology meets a music community that was already deeply invested.
TXC’s collaborations with Davido and their possible future work with Wizkid and Jorja Smith point to a different kind of global amapiano story: not South African artists waiting for validation, but international names entering a musical framework TXC already knows how to lead.
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