Music
Beyond the Trio: Liesl Penniken’s Solo Identity Beside Jamali’s Return
Liesl Penniken’s “This Is Who I Am” is not a clean break from Jamali, but a solo statement unfolding beside the group’s renewed activity.
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Tyla’s Global Album Did Not Leave South African Women Outside the Room
With MaWhoo and Babalwa M confirmed on A*POP, Tyla’s forthcoming second album places South African women inside the primary version of her global pop era rather than leaving them to the margins of remixes or regional editions.
18 Jul 20263 min read
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“Everybody Wanna Be in Love” Is Winning by Giving the Music Time to Breathe
Calvin Fallo’s nearly seven-minute house record has become one of South Africa’s strongest slow-burning streaming successes, proving that patience, repetition and groove still have room inside the modern chart economy.
17 Jul 20263 min read
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The Orbit Is Gone, but the Music Has Not Left the Room
At 81 De Korte Street, Linda Sikhakhane returns to the former Orbit stage where he first presented himself as a bandleader, before Vusi Mahlasela follows with a catalogue that has carried South African memory across the world.
15 Jul 20265 min read
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Sacred Ground Re-Engineered: Zakes Bantwini and the Modern Transformation of Johnny Clegg’s “The Crossing”
Zakes Bantwini, Jesse Clegg and Msaki’s 2026 house reinterpretation of “The Crossing (Osiyeza)” brings Johnny Clegg’s grief-marked South African classic into a new communal dance-floor environment without severing it from its original memory.
13 Jul 20262 min read
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Polyphony in the Plaza: The St Mary’s DSG Choir’s European Cultural Diplomacy
As St Mary’s DSG Kloof’s Tour Choir travels through France, Monaco and Spain, the school ensemble is turning South African choral movement, rhythm and repertoire into a form of youth-led cultural diplomacy.
13 Jul 20262 min read
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Melancholy on the Dance Floor: HONEYMOAN’s “The Stars Are Talking”
Released on 10 July 2026, HONEYMOAN’s “The Stars Are Talking” continues the South African-founded, London-based trio’s mix of indie pop, alternative rock, electronic accents and emotionally guarded songwriting.
13 Jul 20262 min read
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Linda Sikhakhane Returns to the Room That First Heard Him Lead
Nine years after presenting his debut project as a bandleader at The Orbit, the saxophonist returns to the same Braamfontein room to preview LINDA, his forthcoming fifth album.
13 Jul 20263 min read
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DJ Zinhle’s “Baba Yilwa” Is Becoming a Bigger Hit Three Months After Release
Released in April 2026, DJ Zinhle’s “Baba Yilwa” with DJ Lace, FunkTone and Thobani White is still climbing months later, proving that some South African hits grow through repetition, rediscovery and daily-life momentum.
12 Jul 20262 min read
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“Ama Hem Hem” Is Not Just a Single — Thatohatsi Is Building a Cinematic Music Language
Released on 10 July 2026, Thatohatsi’s “Ama Hem Hem” with Sjava and ShaunMusiQ stretches beyond single culture, pairing a seven-minute record with a short film that points toward a more cinematic artistic identity.
12 Jul 20262 min read
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Mörda Is Turning Asante Into an Ongoing Afro-House Universe
With Asante IV complete and scheduled for release on 31 July 2026, Mörda is turning a personal dedication to his daughter into one of South African Afro-house’s most recognisable ongoing album worlds.
12 Jul 20261 min read
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“Nipe Kitu” Shows Major League DJz Looking Beyond Amapiano’s Usual Borders
Released on 10 July 2026, “Nipe Kitu” brings Major League DJz, Thabza De Soul, Idd Aziz and Untitled Audio into a cross-African dance conversation shaped by Swahili vocal identity, Afro-house textures and South African club sensibility.
12 Jul 20262 min read
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Msaki, Sjava, Mafikizolo, Nomfundo Moh and Busiswa Lead Tribute to Women 2026
Set for 29 August 2026 at Marks Park in Emmarentia, Tribute to Women brings Msaki, Sjava, Mafikizolo, Nomfundo Moh and Busiswa together for a Women’s Month stage carrying extra weight in the 70th anniversary year of the 1956 Women’s March.
12 Jul 20261 min read
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The Anatomy of a Bridge: Johnny Clegg’s “The Crossing”
Released on Johnny Clegg & Savuka’s 1993 album Heat, Dust & Dreams, “The Crossing” turns personal grief for Dudu Zulu into one of South Africa’s clearest public languages of survival.
10 Jul 20261 min read
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Bryson Tiller’s SA Plaques and the R&B Memory Economy
Bryson Tiller’s 18 new RiSA certifications show that South African R&B listeners have kept 2010s trap-soul emotionally and commercially alive long after the original global hype cycle moved on.
09 Jul 20264 min read
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The CTIJF Month-Long Expansion: Festival-as-City-Season
By expanding into a month-long city-wide programme in March 2027, the Cape Town International Jazz Festival is shifting from a concentrated weekend event into a broader civic rhythm for music, culture and creative economy.
09 Jul 20266 min read
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Rocking the Daisies: The Alternative R&B/Rap Destination
With Jorja Smith and Isaiah Rashad announced as 2026 headliners, Rocking the Daisies continues its evolution from indie-rock campout into a genre-fluid lifestyle festival shaped by alternative R&B, rap and progressive youth listening culture.
09 Jul 20261 min read
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After Dark at Two Oceans Aquarium: Soft Culture as Premium Nightlife
The 2026 After Dark winter concert series turns the Two Oceans Aquarium into an intimate after-hours music space, showing how Cape Town nightlife is expanding beyond clubs, bars and conventional live venues.
09 Jul 20261 min read